More info See in Glossary, then select the Player category, navigate to the Other Settings, open the Rendering section, and change the Color Space to Linear or Gamma, depending on your preference. To specify a gamma or linear workflow, go to Edit > Project Settings A broad collection of settings which allow you to configure how Physics, Audio, Networking, Graphics, Input and many other areas of your project behave. More info See in Glossary in the correct color space, resulting in a correct outcome. This ensures a linear workflow with all inputs and outputs of a Shader A program that runs on the GPU. To overcome this, you can set Unity to use an RGB sampler to cross over from gamma to linear sampling. As such, when Textures are sampled in Shaders, the gamma-based values lead to inaccurate results. Textures tend to be saved in gamma color space, while Shaders expect linear color space. Linear Textures for information on working with linear Textures.Gamma Textures with linear rendering for information on gamma Textures in a linear workflow.Linear rendering overview for background information on linear and gamma color space.See documentation on Linear rendering overview for more information about gamma and linear color space.įor further reading, see documentation on:
More info See in Glossary that were authored in gamma color space can be correctly and precisely rendered in linear color space. Textures are often applied to the surface of a mesh to give it visual detail. The linear workflow has a color space crossover where Textures An image used when rendering a GameObject, Sprite, or UI element. Of course, I won’t tell you what happens then, but I can say that Strand brings everything to a satisfying resolution that has a touch of sentimentality, but is still realistic enough that Emily herself might approve.The Unity Editor offers both linear and gamma workflows. Old family tensions continue to surface as we get closer to the night when Emily expects to die. But Jennifer’s professionalism and resolve are crucial to two important scenes, and Vallancourt skillfully snaps her character into fiery action when necessary. There is fourth character, too: Emily’s health aide Jennifer (Jenny Vallancourt), who spends much of her time seated in a corner reading a book, seeming oblivious to what is going on. Margaret takes on the task of writing the eulogy, but after she reads it to Emily, Emily reverts to professor-from-hell mode, telling Margaret it’s a “Hallmark card of clichés.” Margaret, understandably, is devastated. When Janet tells her mother about an ingenious plan she devised to keep a relative her mother dislikes away from the funeral, Janet glows with pride. This is more of a problem for Type B, sensitive Margaret than it is for Type A, no-nonsense Janet, who embraces the chores her mother gives her as a way to prove how competent she is. She’s one of those people who claims, with a shrug, that she’s just speaking her mind, but her bluntness can comes off as cruel. She’s a pitbull who won’t rest until she gets her way.įamily photos line fill the walls of her living room, but she doesn’t seem to have much love for her daughters (or her deceased husband, for that matter). But Emily is not the kind of woman you want to say no to. It’s not that they believe that their mother will die as predicted. She wants to make the arrangements for her funeral with them, and edit the eulogy and obituary that she commands them to write.ĭana Benningfield, standing, with Marnie Andrews, left, and Cory Tazmania, in “The Realization of Emily Linder.” She had a similar premonition about her husband’s death that came true, she tells her daughters Margaret (Dana Benningfield) and Janet (Corey Tazmania). It’s a great premise for a play, taking us out of the realm of the ordinary but also creating a scenario where characters’ true natures can come to the surface, and Strand, Barabas and the small cast make the most of it.Įmily (Marnie Andrews), who taught French at the University of Iowa, doesn’t seem to have any doubt that the premonition will come to fruition. In this world-premiere comedy-drama, written by Richard Strand (who premiered his “Butler” at NJ Rep last year) and directed by NJ Rep artistic director SuzAnne Barabas, an elderly retired professor - who is not in perfect health but not terminally ill, either - tells her daughters that she has had a premonition that she will die in her sleep, two days later. If you’re looking for a Mother’s Day present with a macabre twist, consider tickets to “The Realization of Emily Linder,” which is at NJ Rep in Long Branch through May 24 (with two shows on Mother’s Day, May 10).
From left, Dana Benningfield, Jenny Vallancourt and Marnie Andrews co-star in “The Realization of Emily Linder,” which is at NJ Rep in Long Branch through May 24.
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